When I exited the theater 3.5 hours later, I knew I had seen something special and was pleased to hear others raving. From the very beginning, its use of split-screen gave me flashbacks to watching-of all things- Chelsea Girls, and I felt confident I had a made good decision. I opted on the second day to give Luis López Carrasco’s El Año del Descubrimiento a shot partly because I had heard of his previous feature, El Futuro, but mostly because its 200-minute runtime helped it to stand out amid a slate of films I knew next to nothing about. There is no buzz yet, and most films have little written about them or are by filmmakers whose previous works have received relatively little exposure. In Directors, Festivals & Events, InterviewsĮl Año del Descubrimiento, International Film Festival Rotterdam, International Film Festival Rotterdam 2020, Luis Lopez CarrascoĪt a festival as big as the International Film Festival Rotterdam, early screenings are essentially shots in the dark.
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